Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.
After discovering his blood-soaked daughter dead in the bathtub, David Bryson attends a self-help group to help save him from his ghostly nightmares. But when a group of mysterious cult-like women offer to help him resurrect his daughter. David's
A mother moves into an old family home to undergo a rigorous treatment that she hopes will help her autistic daughter communicate. The therapy seems successful when the girl miraculously begins to speak. However, she soon discovers that her daughter has c
Students who are faced with completing their seven-year-long degree program or staying one night in an infamous haunted house to graduate early, some students pay for their decision with the ultimate sacrifice…
