Divided into three "kingdoms" -- Enfer (Hell), Purgatoire (Purgatory) and Paradis (Paradise) -- Notre Musique is an indictment of modern times. 頑皮老頭高達在新作挑釁如常，堅持如舊，對電影愛情如一，但從形式到內容，卻續有新境。比前作《愛之頌》更練達更擊中要害，是他近年最激的反思作品。三段結構的開篇〈地獄〉，戰地實錄與荷里活戰爭片交替，寓意彰甚：人類真會嗜戰。〈煉獄〉借薩拉熱窩做說書人，真實與虛構人物（包括高達自己）到此舉行文化圓桌會議，大家在寬恕迷宮中兜轉，唯有佇立已修復的莫斯塔古橋，才感一絲希望。高達最後領我們到〈天堂〉，人間竟有春色如許？但-有美軍駐守！全片最動人一幕：學生問 DV 可否打救電影？高達哀哀面向鏡頭，良久不語......
该剧本由André Téchiné和Régis de Martrin-Donos撰写，以即将退休的技术和科学警察的特工Lucie为中心。一对年轻夫妇（一个小女孩的父母）来到他的小区，这让他孤独的日常生活感到不安。当她爱上她的新邻居时，她发现父亲Yann是一名反警察活动家，有着沉重的犯罪记录。Lucie的职业良知与她帮助这个家庭的愿望之间的道德冲突将动摇她的确定性......
During one fatal afternoon in an empty elementary school the two mothers of Armand (6) and Jon (6) get into a desperate fight to be believed when one son is accused of crossing boundaries against the other. All means are used, and soon a blend of madness,
Leila George stars, alongside her mother Greta Scacchi, as a young woman so determined to save her drug-addicted brother that she locks him in a room to get clean.
