Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter. Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...
After discovering his blood-soaked daughter dead in the bathtub, David Bryson attends a self-help group to help save him from his ghostly nightmares. But when a group of mysterious cult-like women offer to help him resurrect his daughter. David's
A mother moves into an old family home to undergo a rigorous treatment that she hopes will help her autistic daughter communicate. The therapy seems successful when the girl miraculously begins to speak. However, she soon discovers that her daughter has c
Students who are faced with completing their seven-year-long degree program or staying one night in an infamous haunted house to graduate early, some students pay for their decision with the ultimate sacrifice…
