1934, America. The Dustbowl. A fugitive named Ben Hawkins finds refuge within a traveling carnival comprised of a tarot card reader and her catatonic/telekinetic mother, a blind mentalist, a bearded lady, and conjoined twins, amongst others. The carnival is owned by the mysterious and unseen Management, who has designs on the young Hawkins, for the boy is concealing an untapped gift: he can heal the lame and raise the dead--at a price. Ben also finds himself disturbed by cryptic and prophetic dreams, which he shares with a Methodist preacher in California, Brother Justin Crowe. Brother Justin, convinced by his dreams he is following God's will, has begun to practice his own extraordinary talents, although the preacher's plans increasingly lead to disturbing and tragic consequences. In this "last great age of magic," Ben Hawkins and Justin Crowe are moving toward a great conflict between Good and Evil, although it not yet clear on which sides these men will stand.
The series is based on Antonia Murphy’s unpublished memoir about an American woman who opened an ethical escort agency in New Zealand after the country decriminalized sex work. Murphy’s company aimed to protect women’s rights, well-being and financial ind
Witness protection is often glamorised as keeping innocent witnesses safe from harm but the truth is darker, murkier, and far more complex. Many protected people are themselves criminals. It’s a life of moral compromise. It also involves maximum secrecy,
eason two will dive deeper into the seductive and dangerous world of Kings Cross, Sydney, as Ibrahim expands his empire into the booming queer nightclub scene in the ecstasy-fuelled early 2000s. The stakes are higher than ever before, and everyone wants a
