For Le Genou d'Artemide Jean-Marie Straub once again chose a dialogue by Cesare Pavese. And no
RFA/1972/15‘/VOSTF/16mm d'après « I cani del Sinaï » de Franco Fortini.
Straub-Huillet’s adaptation of Heinrich Böll’s biting satire Bonn Diary presents the reflections o
Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a n
81-year-old master, Jean-Marie Straub, once again invents and surprises with his latest film. Komm
一如他曾把卡夫卡小說幾乎「抽象」化，也把巴哈女士日記拍得如此地貼近音樂而非文字，Straub的這種風格，除了執拗地延續像MoulletGarrel這些新浪潮好友的「極簡」手法之外，也算是為自己的「
法国导演情侣组合斯特劳布-于伊耶与1991年将索福克勒斯的希腊悲剧《安提戈涅》搬上银幕，文本上采用了德国浪漫主义诗人荷尔德林的著名翻译，版本上则依照布莱希特40年代的改编，拍摄地点是西西里岛上塞杰
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence H
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