天天看片|华人影院免费高清在线播放 天天看片|华人影院免费高清在线播放
收藏
0.0
网友评分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
0次评分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
扫描观看

扫描一扫app播放

  "The Witch Burnt Alive"  After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous.  "Community Spirit"  Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through.  "The Earth Seen from the Moon"  The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific.  "The Sicilian"  Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories.  "A Night Like Any Other"  Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.
展开

资源列表

相关明星

相关影片

老妈乱入夏令营
为了挽救儿子的期末露营之旅,这位单身母亲充当起了校车司机,并试图向儿子证明自己真的可以成为一位酷妈。
千禧年
1999年新年前夕,两个不起眼的高中生决定在新千年之前参加一场盛大的派对,但当时针指向午夜,他们想象不到的疯狂事件发生了。
夜母
电影根据蕾切尔·约德的同名小说《夜母》改编,原作入围了美国笔会/海明威奖。讲述了一位新晋为母亲的女性艺术家,在全职照顾孩子时越发孤独焦虑的故事。在她眼里,自己从来都不是一个母亲,既然现在成了母亲,就一定要成为快乐的那个。经过多番努力与尝试后,她发现只有变身母狗可以实现这一愿望。
超级无敌掌门狗:企鹅的复仇
阿德曼动画四次荣获奥斯卡金像奖的导演尼克·帕克和荣获艾美奖提名的梅林·科罗星汉带着全新大冒险《超级无敌掌门狗:最强复仇鹅》重磅回归。在新电影中,阿高担心华莱士过于依赖他的发明——而当华莱士发明了一个似乎拥有自己思想的“聪明”小矮人时,这种担心得到了证实。人们发现一个来自过去的复仇人物可能在策划这一切,而阿高必须与邪恶势力作斗争,拯救他的主人,否则华莱士的发明之路可能就到此为止了!
富二代2
  格里沙,这个曾经被宠坏的孩子,原本是一个农奴。但在经历了一次追溯“过去”的旅程后,他蜕变成了一个真正的男人,对任何形式的不公正都极为敏感。然而,他始终无法摆脱被宠坏的卡蒂娅所带来的无礼和无法无天。
烦恼的喜事
  1980年代初的上海,年轻人恋爱虽谈得自由,但一说到结婚,女方家长尤其未来的丈母娘就会过来干涉:若是准女婿连合计64条腿的高档家具和一台彩色电视机都拿不出,还是趁早别打她家姑娘主意的好。魏婶(程素
脱单舞会
  The Kim O. Nguyen directed, D.J. Mausner scripted movie follows best friends Jess and Hannah (Gent
霍莉
  霍莉幸运地在一场致命大火发生的当天逃学了,她的直觉很可能救了她的命。而且她的直觉似乎还带有一种神奇的力量,可以帮助悲伤的人,这让霍莉这个不合群的高中生有了一种归属感,也获得了一种新发现的力量。  
机组
  围绕三位女性在航空公司的工作和生活展开,因为她们的命运导致了一些不必要的情况,最终陷入了一个谎言网络。
我才不要和你做朋友呢2024
  17岁的学霸高中生李进步(庄达菲 饰)阴差阳错回到了学渣妈妈李青桐(陈昊宇 饰)的少女时代,见到了素未谋面的渣男爸爸(王皓 饰)和4D彩色的过世姥爷(贾冰 饰)姥姥(牛莉 饰)。她灵机一动便分分钟
我失去的爱
  馬力歐和奧莉維亞一直對愛情持懷疑態度。某夜,在與各自情人分手後,他們相遇且互有好感。有天他們遇見一隻流浪貓,為了給貓咪一個家,他們決定一起住,並為貓咪取名「寶貝」。他們總是在想要是分手後,貓咪該怎
我们最后一次做孩子
  1943年的意大利罗马,四个来自不同家庭背景的小孩在战火纷飞中玩着战争游戏并结成了“史上最伟大的友谊”。10月某日,来自富裕犹太家庭的里卡尔多被德军带去了犹太人隔离区,剩余的三个好友通过伊塔洛担任
非常性治疗
  The plot introduces us to a psychologist who suggests to three couples that they engage in a group
  • 片名:女巫1967
  • 状态:DVD
  • 主演:西尔瓦娜·曼加诺 安妮·吉拉尔多 弗朗西斯科·拉瓦尔 马西莫·吉洛蒂 维罗尼卡·旺代勒 埃尔莎·阿尔巴尼 克拉拉·卡拉马伊 玛丽卢·托洛 诺拉·里奇 迪诺·梅莱 赫尔穆特·贝格 布鲁诺·菲利皮尼 莱斯利·弗伦奇 阿尔贝托·索尔迪 托托 尼内托·达沃利 劳拉·贝蒂 克林特·伊斯特伍德 Valentino Macchi Pietro Torrisi 马里奥·西普利亚尼 彼得罗·托尔迪 
  • 导演:莫洛·鲍罗尼尼 维托里奥·德西卡 皮埃尔·保罗·帕索里尼 佛朗哥·罗西 卢基诺·维斯康蒂 
  • 年份:1967
  • 地区:其它
  • 类型:喜剧 
  • 频道:内详
  • 上映:未知
  • 语言:其它
  • 更新:2024-11-10 11:31
  • 简介:  "The Witch Burnt Alive"  After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous.  "Community Spirit"  Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through.  "The Earth Seen from the Moon"  The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific.  "The Sicilian"  Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories.  "A Night Like Any Other"  Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.
搜索历史
删除
热门搜索
本地记录
登录账号